| Buddhist art flourished during the 2nd century BCE | | | | of expansion added new impacts on Buddhist art. This |
| when sculpture became clearer and depicted the | | | | can be seen in the area where it has expanded. Like in |
| whole life of Gautum Buddha and his teachings in the | | | | China the Buddhist regime has a strong impact of |
| form of sculptural episodes. It took form of friezes in | | | | Chinese traits and culture. Their historic prints can be |
| relation to the decoration of stupas. In India from where | | | | seen in the Buddhist art of china. In the same way their |
| the Buddhism actually started, Buddha was never | | | | stupas has strong Chinese impacts of Tang Buddhist |
| shown in human form but through his symbols. The | | | | art. |
| reluctance in showing Buddha in human form was due | | | | Korean Buddhist art reflects the interaction of Chinese |
| to many of his sayings which are mentioned in | | | | Buddhist influence and pure original Korean culture. The |
| "Dighanikaya" that discouraged showing himself in | | | | art of steppes are evident in early Korean Buddhist art |
| human form after his demise. | | | | based on excavation of artifacts and burial goods |
| The human representation of Buddha started in 1st | | | | such as Silla royal crowns, belt buckles, daggers and |
| century CE in Northern India. The two main centers of | | | | comma-shaped gogok. In Tibet Tantric Buddhism |
| creation have been identified in "Gandhara" in today's | | | | started as a movement from India in 5th or 6th |
| North Western Frontier Province of Pakistan and | | | | century. It was derived from the Brahmanism. The |
| "Mathura" region of central northern India. The | | | | Tibetan Buddhist art received influence from Indian, |
| Gandhara art emerged due to the centuries of | | | | Nepali and Chinese art. One of the most characteristic |
| influence from the Greeks since the conquest of | | | | creations of Tibetan Buddhist art are the mandalas, |
| Alexander the Great in 332 BCE. The influence of | | | | diagrams of a "divine temple" made of circle enclosing |
| Greek sculpture is widely seen in the Gandharan | | | | a square. Vietnam also has a strong Chinese Buddhist |
| Buddist sculpture. The contribution of Gandharan | | | | influence over it. Similarly, Myanmar, Thailand and |
| sculpture added wavy hair, drapery covering shoulders, | | | | Cambodia have direct Indian influence over their |
| sandals and shoes, acanthus leaf decorations etc. | | | | Buddhist art. |
| Where as strong Indian traditions can widely be seen in | | | | Japan being geographically at the end of the silk route, |
| the Mathuran art which are exemplified by the | | | | had many influences before the advent of Buddhism. |
| representation of Buddha in human form with divinities | | | | Japan, the largest Buddhist country today discovered |
| like Yaksas. Mathuran art also added clothes covering | | | | Buddhism in 6th century when Buddhist missionary |
| left shoulder, the wheel on the palm, the lotus seat, etc. | | | | monks came to the islands with various art work and |
| Buddhist art continued to develop in India for a few | | | | sculpture. The Buddhism was adopted by the country |
| more centuries and the Mathura sculpture of pink | | | | in the following century. Japan was able to preserve |
| sandstone evolved during Gupta period (4th to 6th | | | | many aspects of Buddhism at very time when it was |
| century) and reached to a very high fineness and | | | | disappearing in India, and being suppressed in Central |
| delicacy. By the 10th century the its creations were | | | | Asia and China only because of its geographical |
| dying in India due to the rapid progression of Hinduism | | | | location. |
| and Islam but the Buddhist art flourished outside Indian | | | | In a nutshell, if we carefully examine the footprints of |
| subcontinent during its expansion in 1st century CE. Its | | | | history, we can clearly see that the Buddhist art known |
| artistic nature blended with other artistic sculpture of | | | | today in many parts of the world has actually evolved |
| the countries which adopted the faith. Buddhist art | | | | from its original form. Every country or society |
| prevailed in the form of "Mahayana" Buddhism | | | | practicing Buddhism today has inducted new things |
| towards the northern route to Central Asia, Tibet, | | | | according to their way of living. The cultural impact of |
| Bhutan, China, Korea, Japan and Vietnam. Whereas | | | | different societies on the Buddhist art is evident from |
| "Theravada" Buddhism prevailed on the southern route | | | | the careful study of history and society. From the |
| to Myanmar, Thailand and Cambodia. | | | | shape and order of the stupas to the way Buddha |
| In 1st century CE the transmission of Buddhist art was | | | | look like, everything has been customized by the |
| done to Central Asia, China and finally to Korea and | | | | sculpture of time. Originally sutpas were painted and |
| Japan when an embassy was sent to the west by | | | | decorated in a way such that the whole life of the |
| the Chinese emperor Ming (58 -75 CE). Though proper | | | | Sidharta Gautama (Buddha) was shown phase wise |
| transmission started in 2nd century CE with the | | | | so that the followers could seek guidance. Later on |
| expansion of Kushan Empire into the Chinese territory | | | | every society influenced the Buddhist art with its own |
| of Tarim Basin and with the efforts of a great number | | | | cultural heritage. Every society left its footprint on the |
| of Central Asian Buddhist monks to Chinese lands. The | | | | Buddhist art and evolved it into the way they wanted it |
| amalgamation of different culture in the art on its way | | | | to be. |