Edgar Cayce and Chanting

Chanting is an excellent and ancient way to transformforehead. As you move the sound with your
vibrations, energize chakras, and raise body, mind, andimagination or mind's eye, move the energy of the
spirit into the Presence of God. It is a chief method ofbody up with it, until your brain is greatly stimulated and
raising consciousness in Buddhism and Hinduism.the frontal lobe and forehead are tingling. Feel this
Gregorian chanting has seen a revival in Westernhappening. See it. Imagine it. Know it is happening.
culture.After each set of aaaaaaa, eeeeeee, ooooooo,
Good chanting is deep, inner sounding, not outwarduuuuuuu, mmmmmmm, abide in silence long enough to
singing. The voice's vibrations are directed inward. It isfeel the strange but wonderful yang-yin relationship of
done with low monotones that have a risingthe sounding (yang) and the silence (yin). This helps
movement and a resonance that attempts to vibratealter the consciousness and energy of the body and
the chakras along the kundalini pathway and movemind and move them inward and upward.
their energy upward.Repeat the chanting long enough to cause an altered
Each voice is so unique that we could make a lock onstate of consciousness to occur. This usually requires
a door that only one voice could open. Therefore, theat least three sets of aaaaaaa, eeeeeee, ooooooo,
best chanting voice for your body is yours.uuuuuuu, mmmmmmm to upwards of seven or twelve
There are three chambers within the human body:sets. The goal is not chanting, but deep, stimulated
abdominal, cardio-pulmonary, and cranial. A resonantsilence in which your body, mind, and spirit feel high and
sounding within these chambers vibrates the endocrinereceptive to the Spirit of the infinite, omnipotent,
glands that correspond to the chakras. Changing theomniscient Presence of God. Then abide in this state
sounding as one progresses causes the vibration tountil you are sufficiently imbued with the Presence to
rise up the body from the lower to the higher chakrascarry it with you through the whole day.
through the kundalini pathway. This energizes the body,Allow oft the raising of self through the voice, through
because the kundalini is the life-force of the body.the music, that bespeaks of praise, as in the chant to
Sit comfortably with your back straight. Take a long,the celestial forces that may make for an attuning of
deep breath, filling the lungs completely. With slow,the inner self. 891-1
deep, resonant tones direct your voice into each ofThe entity developed that which later became the
the chambers. Edgar Cayce gives an excellent chantchant which to many would drive away what was
for this purpose: aaaaaaa ("a" as in ah), eeeeeee ("e"called the evil eye, the evil influence. 949-12
as in eat), ooooooo ("o" as in oh), uuuuuuu ("u" as inQ: Did I ever sing? A: As the priestess; ever more the
blue), mmmmmmm ("m" as in room). Using your mindchant than the song. 823-1
and imaginative forces, direct the aaaaaaa sounding toIncant [chant] that which carries self deeper, deeper --
the lower area of your torso (pelvis and navel), theto the seeing, feeling, experiencing of that image in the
eeeeeee sounding to your solar plexus (mid-stomachcreative forces of love. Then, enter into the Holy of
area), the ooooooo to your heart area and on upwardHolies [the third eye]. As self feels or experiences the
to your throat, the uuuuuuu to the base of your brainraising of this, see it disseminated through the inner eye
and over to the center of it, and the mmmmmmm(not the carnal eye) to that which will bring the greater
sound to the frontal lobe of your brain and yourunderstanding in meeting every condition in the
forehead.experience of the body. Then listen to the music that is
Balance your breath in order to have equal amountsmade as each center of thine own body responds to
of the sound at each of the areas of the body, leavingthat new creative force. Little by little this entering in will
enough breath for sounding at your frontal lobe andenable self to renew all that is necessary, in Him.