Origin Of Tibetan Thangka Painting

Thangka painting is an ancient Tibetan Buddhist artcountries like Tibet, too. To establish Buddhism in Tibet,
form, which has been practised in Tibet for much morethe innovative Tibetan king Songsten Gampo married
than one thousand years. Thangka simply is thethe Chinese princess Kongjo in early seventh century.
Tibetan word for painting. In the paintings of thisShe brought scriptures of Lord Buddha's Teachings,
Tibetan Buddhist art form the many and various deitiesBuddhist sculptures and paintings, and also introduced a
and venerable teachers such as the historical LordChinese style of painting with the artists, who came
Buddha Shakyamuni are shown. These images inspirewith her from China. The princess, who was highly
through their beauty, but also, a painted deity is a visualrespected, herself was the one initially to introduce
support for those practising meditation.Buddhist artistic traditions in Tibet. She encouraged
The origins of Thangka painting go back to Lordspreading the traditions of painting and sculpture widely
Buddha Shakyamuni and stretch even further beyondthroughout central and eastern Tibet. This early stage
into the past. Lord Buddha lived about 2600 years agoof Tibetan Thangka painting has been referred to as
in India, where He taught the Holy Dharma to a largethe old Gadri style, the origin of the graphic arts in
following and also instructed and inspired many artists.Tibet.
The form of the Buddha is generally representedAnother style of Tibetan Thangka painting, Menri, was
through paintings and sculptures, and we are focussedintroduced in Tibet from Nepal in the 9th century. This
on paintings here.school experienced a change in style, pigment and
The painted image had its origin in the country oftexture in the 17th century and first became known as
Magadha, which in modern times is called Bihar ofMensar or the new Menri. And these are the two main
central India. The king of Magadha commissioned antraditions with their varying schools, found in Tibetan
artist to paint a portrait of Lord Buddha. But the artistThangka painting. Gadri has been established in the
was so overwhelmed by the magnificence andEastern part of Tibet, whereas Menri is in Central and
splendour of the Buddha that he was not able to drawWestern part of the country.
when looking at Him directly. The Buddha came to theIn the year 1500, the Gadri style experienced a
support of the artist and said "Let us go together torenaissance due to the influence of the artist Namka
the bank of a clear and calm pool". There Lord BuddhaTashi, who was linked to the Great Saint Mikyo Dorje,
sat Himself at the bank of the pool, while the artistthe 8th Karmapa. Further significant contributions came
sketched His drawing based upon the reflection on thethrough the artists Cho Tashi and then Kasho Karma
water's surface.Tashi. These three artists established what has been
As Lord Buddha's Teachings flourished in India beyondknown as the Karma Gadri style of Tibetan Thangka
His lifetime, His Teachings spread to neighbouringpainting, which is still true today.