| New writers always worry about talent,
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| | whether it's a newspaper article, a
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| but "talent" is no indication of ability
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| | novel, or a company overview, the next
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| to write. If you have the desire to
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| | step is to find a model for it so you
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| write, that's a fair indication that you
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| | know how that piece of writing is put
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| have all the ability you need.=> The
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| | together.Study the model and make an
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| desire to do something is the indication
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| | outline of it, then write.=> Pay
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| that you CAN do itEverything we do starts
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| | attention: make your writing funThe more
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| with a desire to do it, from learning to
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| | fun you have writing, the more you will
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| walk, to writing. From then on, it's just
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| | write. Dean Koontz once said that if you
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| a matter of having fun, and
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| | want to write commercially, writing has
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| practicing.When someone says "I want to
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| | to be more fun for you than anything else
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| write, but," the most important part of
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| | you could be doing.Professional writers
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| the sentence is "I want to write."=>
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| | do a lot of writing which is not
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| Talent is the natural ability to do
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| | intrinsically fun. I write copy for
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| something well, but so what?I've always
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| | businesses, and writing about EDI
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| said that if you can write a letter, you
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| | (Electronic Data Exchange), water pumps
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| can write copy (write for business). This
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| | for drainage systems and occupational
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| is a hundred per cent accurate. Anyone
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| | health is fun for me because I make it
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| with the natural-born ability to write a
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| | fun. I'm determined to enjoy it, and so I
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| letter can write copy. However, I can't
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| | do.It's easy for me to convince myself
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| predict whether the talented one will sit
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| | that a piece of writing like a software
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| down and do it, day after day after
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| | tutorial is fun, because at the very
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| day.WHEN IT COMES TO WRITING, OR ANY
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| | basic level of playing with words, it is
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| CREATIVE PURSUIT, TALENT IS
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| | extremely enjoyable. Enjoyment is a
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| MEANINGLESS.It's doing it that counts.In
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| | function of paying attention.Try it
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| one of my favourite books, "Zen Mind,
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| | yourself. The next time you're doing a
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| Beginner's Mind", Suzuki-roshi says: "All
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| | task you dislike, like cleaning the
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| that we should do is just do something as
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| | bathroom for example, start to pay
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| it comes. *Do* something!"If you want to
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| | attention to it. Become deeply engrossed
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| write, just write. Sit down with a pen
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| | in spraying cleaner onto the bathroom
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| and paper, or in front of your computer,
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| | mirror and wiping it off, and in
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| and put words on paper. Shakespeare,
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| | scrubbing the shower stall. The more
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| Charles Dickens, and every writer who has
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| | attention you pay, the more you will
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| ever lived or ever will live does just
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| | enjoy it.=> Welcome critiquesWhen you
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| that, and only that.Sit down and write.
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| | write, you start out by managing your
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| This is easier said than done. You need
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| | inner critic. Next you need to learn how
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| to know how to stop getting in your own
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| | to manage external critics, people who
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| way.=> Use your critical sense AFTER you
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| | critique your work.If you write
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| have words on the pageImagine that you're
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| | professionally, you need to learn how to
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| an artist. You're drawing a still-life,
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| | deal with editors, who are your primary
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| of a bowl of fruit. You take your paints,
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| | external critics. Editors are VITAL to
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| mix several colours to get the precise
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| | writers, and a good editor can make you a
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| red of an apple, and dab a brushstroke
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| | much better writer. This is because an
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| onto the canvas.You tilt your head onto
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| | editor tells you what's not on the
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| the side. No, that's not right. You clean
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| | page.The only way to deal with an editor
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| your brush and start again. More mixing,
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| | is to revise your work according to his
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| another brushstroke. You shake your head.
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| | instructions. You may not like it, but do
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| Still not right. You clean your brush
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| | it anyway. Then go on to the next piece
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| ---.This process gets you nowhere. It's
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| | of writing.Writing skill develops over
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| the same when you write. When you're
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| | time. The only way to find out whether
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| writing, lay words onto the page just as
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| | you have talent is to write. If you write
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| an artist paints.You can't know what the
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| | persistently for a few years, you will
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| result will be until you've finished
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| | discover that you have talent. Your
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| putting words onto the page. This means
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| | talent grew when you weren't looking.
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| that you need to completely ignore your
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| | Write.Stuck in your writing career? Get a
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| critical sense while you're writing. Once
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| | coach! Angela Booth coaches writers in
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| you've finished a writing task, you use
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| | copywriting (writing for business),
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| your inner critic.=> Pre-write, and find
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| | nonfiction, and fiction. A veteran
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| writing modelsWriting is about models,
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| | writer, published by major publishers
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| and about structure. If you know what a
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| | worldwide, Angela is also an experienced
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| particular piece of writing should look
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| | writing teacher, who knows how to inspire
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| like, you can write it.The best way to
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| | and motivate. You CAN make a success of
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| start and continue your writing career is
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| | your writing career. Free daily info for
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| not to begrudge words. Let your words
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| | writers at her blog: Start your writing
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| flow freely. Every professional writer
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| | coaching today by contacting Angela at
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| that I know writes constantly, and most
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| | her site Angela offers personal
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| of that writing never makes it into
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| | one-on-one e-courses and mentoring for
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| print. It's pre-writing, writing to find
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| | all forms of writing. Ask for a low-cost
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| out what you want to write.When you've
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| | initial phone or email consultation.
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| decided on something you want to write,
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|
